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Georges Melies is considered the father of visual effects, and quite understandably so. Le Voyage a Travers L’Impossible, like Melies’ more famous Le Voyage dans la Lune (1902), is a fascinating use of a medium that was only a few years old at the time.

I can only marvel at Melies’ creativity and courage for taking the moving image out of what must have been a pretty conservative context and for turning it so quickly into a canvas for storytelling, visual experimentation and imaginative ideas. Based on a Jules Verne story, this film may not make much sense by today’s standards and can feel a bit hurried (Melies directed over 500 ‘films’ in his short career) but it deserves our admiration nonetheless.

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