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No Country for Old Men (The Cohen Brothers 2007)

Posted on February 14 at 12.13, 2008 by Eric Mahleb

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no_countryHow many times have we seen this story brought to the screen before? Man comes across a deal gone wrong, takes the money and tries to get away with it. If it is true that all film scenarios pretty much revolve around 32 plots (which it probably isn’t), then only real talent can make such a cliché story interesting again.

Enter the Cohen Brothers, the entity that might be known one day as one of the best director in the history of cinema. Forget Intolerable Cruelty (2003) and forget The Ladykillers (2004), two mediocre films that do little to tarnish an otherwise spectacular filmography. The Cohen brothers are back on top and while it is difficult, and probably inappropriate, to compare such a hard and dark film with some of their previous work, this latest effort is nonetheless as good a film as they have ever made.
No Country for Old Men has an intensity and rhythm that reminded me of the recent Scorcese, The Departed (2006). No fluff, no silly and excessive music, no unnecessary dialog, no gratuitous scenes, no let down in the strength of the performances, only tight and solid directing, scripting, and acting (and beautiful cinematography as well).
Many have spoken about the performance of Josh Brolin as a career defining role (good enough apparently to convince Oliver Stone to want to cast him as George W. Bush in Stone’s next biopic), or about Tommy Lee Jones’ convincing turn as a laconic and delusioned Sheriff (one can’t help but to try to create a connection between this character and the one he played a couple of years ago in The Three Burials of Melquiades Estrada (2005)) but I personally would like to single out Javier Bardem in what i consider to be one of the best villain performance of all time. I can’t remember the last time the character of a madman was so brilliantly and realistically depicted on screen (perhaps Anthony Hopkins in Silence of the Lambs, or Ralf Fiennes in Schindler’s List). I still get chills down my spine thinking about some of the killings in the film and about the character’s methods, which involve a mix of principles, sadism and intelligence.

Overall, an intense, dark and disturbing film that ranks as one of the best thrillers ever made.

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