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Dark and negative endings have never been Hollywood’s forte. The fact that The Manchurian Candidate has one does not make it automatically a good film. Despite its reputation, and despite the acting by Lansbury and some very interesting shots, the film is nevertheless fairly standard Hollywood fare with over-the-top characters and little regard for plausibility or realism.

One Response to “The Manchurian Candidate”

  1. [...] If I found The Manchurian Candidate (62) unwilling to go far enough in the treatment of its brilliant and daring concept, I certainly did not hold such opinion after watching Seconds. Despite a couple of moments when John Frankenheimer loses control of its material and over-indulges in wobbly camera movements (the wine orgy scene and, to a lesser extent, the party at home scene), Seconds is an amazingly dark and bold film for 1960s Hollywood (after all, Bonnie and Clyde (67), which represents a milestone in American cinema, was also considered dark and bold, but feels, at least to me, much tamer than Seconds), about a man who is given a chance at a new identity and a new life but slowly realizes that the change only makes him more miserable. [...]

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